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<p>This deliberate smallness opens out onto the question of what remains when the great battle to save his job is long in the past, but whose resentment remains, determining family, class, friendship and self-worth in ways that are no less devastating for being intimately personal.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img src="https://counter.theconversation.com/content/294926/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important" referrerpolicy="no-referrer-when-downgrade" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p>

<p><span><a href="https://theconversation.com/profiles/louis-bayman-1647512">Louis Bayman</a>, Associate Professor in Department of Film Studies, <em><a href="https://theconversation.com/institutions/university-of-southampton-1093">University of Southampton</a></em></span></p>

<p>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/london-film-festival-round-up-a-five-star-weepie-a-sweeping-spanish-epic-and-a-misspent-youth-in-post-punk-manchester-294926">original article</a>.</p> </div>

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